The purpose of this essay is to investigate the melancholic, poetic language in Bübins unge (Bübin´s brat) by Mare Kandre (1962 ? 2005). In my opinion the novel, which is about a teenage ritual, also gives an imaginary arena for archaic and unmentionable experiences of the libido. It is therefore a witness to the truth of the subjects complex mind. To my assistance I have Julia Kristeva´s theory on the abjection, the successful melancholia and her concepts of the outsider and the catharsis.

Gränsland is a poetry collection by the poet Eva Sjödin. One distinct theme among others in Gränsland is repulsion and attraction, disgust and fascination in interaction. There is also a direction inwards and towards something. This essay is an attempt to analyse this theme. I will apply Julia Kristevas theory on abjection, a theory that explains these contradictory feelings and movements of the subject.

This essay examines the role of repetition in the two novels Älskaren (The Lover) by Marguerite Duras and Den amerikanska flickan (The American Girl) by Monika Fagerholm, through a thematic and comparative reading. The study mainly uses Bruce F. Kawin?s analysis of repetition in literature and language as well as it refers to Cathy Jellenik and her analysis of rewriting in the works of Duras. The study also takes into Julia Kristeva?s idea of Duras as a writer lacking of catharsis.

I ett försök att låta psykoanalysen tala med poststrukturalistiskateoribildningar undersöker uppsatsen hur det går att förstå fenomensom kroppslighet, begär och subjektion. Uppsatsen försöker skapaaffiniteter och synteser mellan de inom svensk genusvetenskap oftaignorerade delarna av Judith Butlers psykoanalys och teoretiker sombland annat Julia Kristeva, Jacques Lacan, Sigmund Freud ochJacques Derrida. Genom att låta den freudianska och butlerianskatermen melankoli stå i dialog med Kristevas teori om abjektionenoch Derridas différance-begrepp görs en teoretisk ansats attanalysera ätstörningsproblematikens omedvetna struktur i denmanliga homosexuella subjektspositionen. Uppsatsen argumenterarför behovet av psykoanalysen inom genusvetenskaplig teori för attkunna blottlägga de dolda subjektiverande processer som via enheterosexistisk diskurs skrivs in starkare och mer våldsamt i vissapsyken än andra. Uppsatsen försöker visa på hur den ätstördakroppen hos bögen som subjekt framträder som något förfrämligatoch abjektalt med ursprung i melankoliska heterosexistiskaintrojiceringar i jaget och begäret.

This is a study of the novel Mes mauvaises pensées (2005) by the French writer Nina Bouraoui. I use an intertextual comparative method, where I read the novel against three intertexts: Marie Cardinal Les mots pour le dire (1975), the David Lynch movie Mulholland Drive (2001) and novels and photographies by Hervé Guibert. Main focus is on the relation between body and language. Using the psychoanalytic theories by Julia Kristeva I examine the melancholy of the narrator in Mes mauvaises pensées. The melancholic subject mourns a Thing which is the unrepresentable archaic mother.

The purpose of this study is to show what melancholy and irony in my poems express and what techniques that are used to accomplish these effects. Many theorists, among them Sigmund Freud and Julia Kristeva, characterize melancholy as an experience of loss, and therefore one of my questions is what kind of losses appear in my poetry. In search for an answer I analyze the texts from both a psychoanalytic and a sociological point of view. In the latter perspective I discuss the postmodern society using concepts from contemporary thinkers like Zygmunt Bauman, Fredric Jameson and Jean Baudrillard. Finally, I also examine if melancholy has an influence on the form of the poems.

This essay explores the intertextual qualities in and between Kristian Lundberg?s works Yarden, Mörkret skulle vara som ljuset and Och allt skall vara kärlek. Read as a trilogy, it bears a thematic resemblance to Dante Alighieri?s Divine Comedy; an autofictional depiction of emancipation from alienation by grace. To reach this conclusion, I use Julia Kristeva?s theory of intertextuality and Roland Barthes? post-structuralist differention of Work and Text together with his notion of the Paper-Author.

I uppsatsen underso?ker jag hur huvudkarakta?ren Mimmi, under va?gen att etablera sig som fo?rfattare och i mo?tet med Hugo, so?ker na? balans mellan intellekt och kropp. Utifra?n Julia Kristevas teori om abjektionen utforskar jag pa? vilka sa?tt Mimmi fo?rha?ller sig ambivalent till viljan att vara a? ena sidan innesluten, a? andra sidan avgra?nsad, och hur i sin tur synen pa? kroppen, dess samverkan med sja?len samt synen pa? andra kroppar pra?glas av bega?r och a?ckel. Som metodisk spra?ngbra?da anva?nder jag paradoxen utifra?n Kristina Fjelkestams definition.

The purpose with this essay is to illustrate the problematical mother-daughterrelation in Mar-gareta Garpes drama/play ?To Julia? through a psychoanalytic and philosophical perspective. To get a deeper understanding for the relations between mother and daughter, and the kind of motherhood that Gloria is practising in the play I have used a hermeneutic method in search for answers to the questions: Why does Gloria take a position as a so called friend or sister in the interaction with her daughter Julia? Why is not mother Gloria capable to be mature, caring and nursing in the interaction with Julia? Through Gloria Margareta Garpe is giving me possible answers: Gloria is still seeing herself as a rejected and lonely child. The role of the daughter Julia in her mother?s life is to fill an empty space that was created in Gloria?s adolescence when she experienced the same feelings as Julia in present time in the play.

Syftet med uppsatsen är att undersöka vad bilderna i en tidning med yngre målgrupp förmedlar för budskap till läsaren. Den tidning som valts till undersökningen är Julia, vars målgrupp är tjejer i åldern 9?14 år.Med utgångspunkt i den övergripande frågeställningen: "Hur ser människorna ut på bilderna i Julia ? och vad förmedlar detta till läsaren?", genomförs en kvantitativ innehållsanalys utifrån 28 variabler. Totalt undersöks 1 245 bilder på människor i nio nummer av Julia från år 2000?2010.Uppsatsen utgår från teorier framförda av bland annat Jostein Gripsrud, Nina Huntemann och Michael Morgan, som avhandlar medias roll i barns skapande av identitet.Undersökningen visar att den typiska tjejen i Julia är ung, icke-blond, har europeiskt utseende, poserar, ler och tittar in i kameran.

The purpose of this study is to show what melancholy and irony in my poems express and what techniques that are used to accomplish these effects. Many theorists, among them Sigmund Freud and Julia Kristeva, characterize melancholy as an experience of loss, and therefore one of my questions is what kind of losses appear in my poetry. In search for an answer I analyze the texts from both a psychoanalytic and a sociological point of view. In the latter perspective I discuss the postmodern society using concepts from contemporary thinkers like Zygmunt Bauman, Fredric Jameson and Jean Baudrillard. Finally, I also examine if melancholy has an influence on the form of the poems.

The purpose of this master?s thesis is to examine from a psychoanalytic point of view how Mare Kandre narrate the complex process when girl becomes woman. Earlier theoretical work concerning Mare Kandre is sparse and limited to narrow cut-outs of her authorship. There are two dissertations, but none with Kandre and her unique fictional works alone in focus. Most frequently she is presented as part of different groups of authors.

En studie av två barntidningar. Frågeställning och syfte. Våra övergripande frågeställningar har varit: Hur bidrar media i konstruktionen av kön? Hur bidrar media i skapandet av ett barns identitet?.

This thesis has two purposes: (1) to analyze the emptiness in Blodbok by Christine Falkenland, and (2) to analyze my own reading of the same book. I have chosen to focus on how emptiness is expressed through the body, the language and the place in Blodbok, because of the deep impact these seem to have on the emptiness. The thesis discusses what kind of emptiness that is described, what it does to me as a reader, and how it is connected to other works by Falkenland. Cultural politics of emotions by Sara Ahmed, Uses of literature by Rita Felski and Pouvoirs de l?horreur by Julia Kristeva together form the theoretical framework.Blodbok is a poetry collection, about the loss of a mother.

The aim of this study was to give an insight of the construction of girls in their relationships with friends and lovers in the Swedish magazine Julia. The magazine turns to girls of age nine to fourteen. The research questions were 1) What is the construction of the girls in their relationships with friends and lovers about in Julia? 2) How are girls constructed in their relationships with friends and lovers? Three issues of the magazine from the winter of 2014 were selected as material for the study. Critical discourse analysis (Fairclough, 1992, 2010) was the point of departure in the analysis.